Workshop B | Media and Participation within Immigration Societies

 

Media and Participation within Immigration Societies What can academia contribute?

„Wir, die Neuen deutschen Medienmacher, sind ein bundesweiter Zusammenschluss von Medienschaffenden mit unterschiedlichen kulturellen und sprachlichen Kompetenzen und Wurzeln. Wir setzen uns für mehr Vielfalt in den Medien ein: Vor und hinter den Kameras und Mikrophonen. An den Redaktionstischen. Und auch in den Planungsstäben, Führungsetagen und Aufsichtsgremien.“ (Neue deutsche Medienmacher)

Inputs by:

Ebru Taşdemir, Neue deutsche Medienmacher, Berlin, Germany

Chair:

Johanna Bröse, University of Tuebingen, Germany

Information on media and minority groups: Website Neue Deutsche Medienmacher

Youtube Channel New German Media Makers

 

Workshop A | What is participation anyway ?

„There is not just one definition of participation.“ (Ignacio Bergillos, CESAG Palma de Mallorca, Spain)

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First summary on „participation“ in the first Workshop of the Spring School 2016.

Journal articles 

Torgeir Uberg Narland:

Nærland, T.U. (2016) Colonizing the academy?  Organisational mediatisation and public research institutions, MedieKultur. Journal of media and communication research (forthcoming)

Nærland, T.U. (2016) Hip hop music and right wing populism in Norway, in De Cleen, B., Nærland, T.U. (eds.) (2016) Expressive culture and rightwing populism in Europe, special issue in JOMEC Journal, Issue 9 (forthcoming)

Nærland, T.U. (2016) Music, Ideology and Emerging Political Elites: A Survey of Musical Taste and Aesthetic Sensibilities among Young Politicians in Norway, Praktiske Grunde: Nordisk tidsskrift for kultur- og samfundsvidenskab (forthcoming)

Nærland, T.U. (2015) From musical expressivity to public political discourse proper: the case of Karpe Diem in the aftermath of the Utøya massacre, Popular Communication, 13(3).

Nærland, T.U. (2014) Rhythm, Rhyme and Reason: Hip Hop Expressivity as Political Discourse, Popular Music, 33:3

Nærland, T.U. (2014) Hip hop and the public sphere: political commitment and communicative practices on the Norwegian hip hop-scene, Javnost / The public, Vol.21, No. 1.

Larsen, L.O., Nærland, T.U (2010) Documentary in a culture of clearance: a study of knowledge of and attitudes toward copyright and fair use among Norwegian documentary makers ,  Popular Communication, Vol. 8, No. 1, 2010

Nærland, T. U (2007) Dansebandfeber!, Replikk 2007(2)

Website Torgeir Uberg Narland

 

Ignacio Bergillos:

REVISTA ESPAÑOLA DE DOCUMENTACIÓN CIENTÍFICA

Fernández-Quijada, D.; Masip, P.; Bergillos, I. (2013). “El precio de la internacionalidad: la dualidad en los patrones de publ…

JOURNAL OF COMPUTER-MEDIATED COMMUNICATION

Franquet, R.; Villa-Montoya,M.I.; Bergillos, I. (2013). “Public Service Broadcasting’s Participation in the Reconfiguration of O…

IV JORNADES DE RECERCA I INNOVACIÓ DOCENT EN COMUNICACIÓ

Bergillos, I.; Franquet, R. (2012). “Servei públic i participació: un estudi comparat (CSO2009-09367)”, presentado en IV Jor…

DOCUMENTACIÓN DE LAS CIENCIAS DE LA COMUNICACIÓN

Bergillos, I.; Fernández-Quijada, D. (2012). “Producción científica en comunicación en las universidades de la Comunidad de …

MEDI@TIC: ANÀLISI DE CASOS DE TECNOLOGIA I MITJANS

Bergillos, I. (2012). Reseña de Medi@tic. Anàlisi de casos de tecnologia i mitjans, de Fernández-Quijada, D. (ed.). Dossiers de…

LA TELEVISIÓN PÚBLICA A EXAMEN

Ferrer, I.; Martínez-García,L.; Bergillos, I. (2011). “La construcción informativa del caso Malaya” en La televisión públ…

OBSERVATORIO (OBS*) JOURNAL

Franquet, R.; Villa-Montoya,M.I.; Bergillos, I. (2011). “Audience participation in online news websites: a comparative analysis“…

Website Ignacio Bergillos